First published in Deutsche Welle’s Pulse show: [mp3] [html]
If you visit the Tabacalera, a decrepit old tobacco factory in the center of Madrid, you might find artists painting in one basement room, hear muffled drums thumping from another, or catch a teenage video DJ performing in the courtyard next to the bike workshop.
There’s no tobacco processing done here anymore. And nobody charges at the door. In fact, it looks, sounds and feels like an anarchic arts squat. Until you bump into a security guard.
Nairobi photographer Boniface Mwangi is fed up with his country’s politicians. To raise awareness, he’s taking an in-your-face approach with a graffiti campaign, political art show and online newspaper.
This audio package first appeared in Deutsche Welle’s Generation Change podcast and blog: [mp3] [html].
Photos and additional reporting by Mike Elkin.
Boniface Mwangi. Photo: Mike Elkin
Political graffiti in Nairobi. Photo: Mike Elkin
HIGH-SPEED currency trading uses oodles of computing power to exploit short-lived price differences in international foreign-exchange markets. Jonathon Keats proposes an alternative: exploit the electrical differences between currencies to power a low-speed computer. In an exhibit which opens on April 12th at the Rockefeller Centre in New York Mr Keats, a concept artist (or, as he likes to call himself, an experimental philosopher), introduces the notion “electro-chemical arbitrage”. An engineer might call it a battery.
Creatures in chloroform, musty maps, and navigation by brass instruments. That was ocean exploration 18th-century style. Nowadays it’s satellite links, mandatory life vests on deck, and flow cytometers measuring minute lifeforms from the murk below – a very different kettle of fish.
The España Explora. Malaspina 2010 exhibition juxtaposes two Spanish expeditions launched over 200 years apart: between 1789 and 1794, commander Alessandro Malaspina led Spain’s imperial survey of its global holdings. In 2010, the Spanish government launched the high-tech Malaspina expedition, an oceanographic venture far removed from anything the commander would be able to recognise.